Alison Brooks was interviewed by Owen Wainhouse for episode 11 of Architecture Masters, the new podcast from the London Festival of Architecture. In this episode Alison talks about her early experience, her career, current projects and housing in Britain.
The Smile has been awarded the World Architecture Festival’s 2017 Display Award after a vigorous judging process in Berlin on 15 November.
Alison Brooks Architects collaborated with The American Hardwood Export Council (AHEC), Arup and the London Design Festival to present this cross-laminated tulipwood structure.
The Smile is one of the Festival’s Landmark Projects in 2016, and was inhabited and explored by the public. The spectacular, curved, tubular timber structure measured 3.5m high, 4.5m wide and 34m long and was effectively a beam curving up at both ends. Showcasing the structural and spatial potential of cross-laminated American tulipwood, The Smile was the first ever ‘mega-tube’ made with construction-sized panels of hardwood CLT.
Alison Brooks is presenting a lecture at MIT, Cambridge on ‘The Ideal and the Real – why Civicness is the project’. Alison will be discussing her practice philosophy, techniques and the ideal of ‘civicness’ using current and recently completed projects: The Cohen Quadrangle at Oxford University; a high rise urban block in Kings Cross, London; The Smile Pavilion and housing scheme Ely Court, shortlisted for the 2017 Mies Award for contemporary European architecture.
Alison Brooks profiled in issue 3 of Kiosk., where she speaks to David Michon, former editor of Icon Magazine, about her time living and studying in Rome, her practice, work and ideals.
“One architect that has been captivated by Villa Adriana’s masterclass, is the Canadian-born Alison Brooks. In 1984, 20-something Brooks was living and studying in Rome; drawn to the Villa, she spent three weeks there in “solitary drawing and speculation”, understanding the art of the place – its nuanced design, its interaction with an undulating and disjointed landscape and its ability to surprise and delight.
And Tivoli seems to have had a lasting impression. Her best work, in tune with Hadrian’s villa, is a version of housing that is distinctly civic-minded (even if edged by countryside). It is built to last, with above-average understanding of good city-building, relishing in the collage of urban space.”
Alison Brooks has been invited by Leers Weinzapfel Associates, the first female-owned US practice to win the AIA Architecture Firm Award to take part in a panel discussion alongside Mexican Architect, Rozana Montiel. The discussion will address the extraordinary achievements of female architects in the UK, Europe, North and South America and their strategies to achieve parity in the profession.
ABX is the leading design and construction event in New England, bringing the industry together to share information, skills and resources. Attendees explore design trends and discover new technologies and products – this year with an added emphasis on sustainability.
Alison Brooks will join a prestigious panel at the Festival of the Future City of Bath to discuss how Bath could evolve in the 21st century and how the city can preserve its UNESCO World Heritage status through new architecture, new infrastructure and welcome new populations.
Alison will be in conversation with Henrietta Billings, Director of SAVE Britain’s Heritage, who leads campaigns to preserve Britain’s historical environment and Tanvir Hasan, deputy chair of Donald Insall Associates. The event will be chaired by Elena Marco, a passionate Bath resident and Head of Architecture and the Built Environment at UWE.
The first in its series, The Festival of the Future of the City Bath is a three day festival of lectures, discussions, panels, pop up pavilions, walks, family events and more, exploring urban development in the 21st-century. Festival themes include housing, the artist & the city and what makes architecture great.